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Posts Tagged ‘food’

“Pocket Broth”. It takes about 5 days to make, but most of that time is waiting. The total time of actually doing stuff to make this is probably around half an hour, in 5 – 10 minute segments.

Take bone from the tougher cuts like shank/shin, neck, feet, tail, back, and marrow bones. Sometimes, I’m a purist and use bones from only one kind of animal (all beef, all buffalo, all venison, all chicken, all turkey, all pig), and sometimes I mix it up (poultry and pig, buffalo and beef, beef and turkey, venison and chicken…), and fill a pot with the bones (can be frozen bones if you’re single and need to save up enough bones too make this).

Cover with water (I add a rib of celery and a teaspoon of fresh parsley, cut up, but no other seasoning – not salt, not pepper, not onions or carrots or garlic. Nothing else. You can season it up when you make soup later.).

This can be done in a crockpot or stove top (I have a special burner set for a ow simmer, but I use the crockpot in summer). Put a lid on and simmer (no bubbles!) for 20-25 hours. Cool completely.

Strain out the bones and veggies and return the broth to the pot.

Simmer uncovered on low for 24 hours. Cool completely.

Peel out the layer of gel carefully, pat dry, and place on a cooling rack.

Set up a fan set on low to blow over the gel for 2 or 3 days. Do not use heat – the gel will melt and make a mess.

When the gel is reduced to a thin, leathery consistency, like fruit leather, cut it into 1″ squares. Each square will make 1 cup of soup. Wrap the squares in parchment paper and store in a tin or cookie jar. They will continue to dry out and harden – this is OK. Do not let them get moist, though, until you are ready to make soup.

They will keep for years, but mine never last that long because I use them as dog treats as well as people beverages and soup and sauces.

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I belong to a writer’s group where we gather once a month to critique one another’s works and once a month to just write.

I know I can be rather harsh when it comes to critiquing other people’s writing (and don’t mind harsh critiques on my work – all the ghods know I need it!), so I’ve wracked my brain for ways to soften the blow and better explain what I mean.

I accidentally hit on food.

Yeah, it surprised me, but it works.  A story is a lot like a recipe.  So I started making the foods that I used to critique a story.

One person is writing a memoir about his time as a Vietnam Vet. His story is firm and meaty and a little bit juicy, but kind of dry. When I made my first bacon apple pie, it was a lot like that. It needed more juice, more spices, a touch less meat, and a firmer crust, just like his story, so when I tried to tell him kindly he needed to juice it up with more emotions and spice it up with more personal heart, and maybe bring in some raisins for that unexpected delight, kind of like that bacon apple pie. I think he sort of got where I was going, but not really.

So I baked that bacon apple pie two ways – the way his story was currently written, and the way I’d tweaked it to make the pie something divinely delicious.

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Once everyone had eaten some of each pie, they knew exactly what I meant.

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The next time we critiqued his tale, it was much improved.

And then there was the sweet little flash fic critique that was nicely written but normal and predictable. I suggested it get something to twitch it up to unexpected, like watermelon pie. Everyone knows pie, and everyone knows a nice cream pie, but watermelon?

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Delightful, sweet, exactly what people expected until they bit into it and then – watermelon!

Haven’t read the rewrite yet, but I am anticipating it!

Now, I have to figure out how to deconstruct a lovely sushi platter so all the parts are there, but nothing is connected. There’s a story that has everything it needs to be good, but it’s all in pieces that need to be pulled together into not just a pretty platter, but an exquisite dish that is beautiful as well as delicious. I think he can do it.

And there’s this dense novel that has the most gorgeous language and use of words but it’s hard to digest and not to everyone’s taste.  It’s a fruitcake that’s all fruit, and hardly any cake – no glaze, no rum, some nuts.  I have to make both the fruitcake as written and the fruitcake it could be.

I’ve said I have to give this dense darling some time before I can fully critique it.

The food correlation won’t work with every story, but I think it does help make the critique clear and gives the author some direction without me trying to put words in their mouth.

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